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Native American Home Decor

However, the absence of fringe does not necessarily mean that you are looking at a Navajo blanket or rug. Mexican weavers sometimes tuck in the warp ends to make it appear continuous even though it isn't. These cases result in the weaving being thicker at the ends, and then thinner out. Second, be aware of the presence or absence of lazy lines. A lazy line is a 45-degree angle, diagonal line that forms when the Navajo weaver creates a rug. One can help identify authentic Navajo rugs. However, knock-off rugs may also have similar lines. As the weaver works, a lazy line forms. The weaver is seated in front of the loom, and begins weaving the weft yarn into the desired pattern. The weaver then shifts to another section. It creates beautiful lines in the rug's body by working this way.

A watershed in Navajo weaving came in the 1860s with the incarceration of about 8000 men, women and children at Bosque Redondo reservation in eastern New Mexico. In an effort to subdue and “domesticate” the Indians, the US Army slaughtered the Navajo’s sheep and destroyed their crops and homes. The government allowed weaving to continue during the internment by replacing the Navajo’s home-grown wool with factory-made yarns from Europe and the eastern United States. After the Navajo returned to their homelands in 1868, the US government continued to provide commercial yarns as part of their “annuity” support for the Navajo people.

Native American Home Decor

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These early weavings made before the 1870s are very rare, bringing tens of thousands of dollars-or more-from collectors and museums. The so-called Chief’s Blanket is a specific style of manta that went through a distinct design evolution. First Phase blankets were made from about 1800 to 1850 and consisted simply of brown (or blue) and white stripes with the top, bottom and center stripes usually being wider than the others. Second Phase blankets included small red rectangles at the center and ends of the darker stripes and were made about 1840 to 1870. The Third Phase type, between 1860 and 1880, saw the addition of stepped or serrated diamonds of color to the center and ends of the wide stripes. In weavings of the Fourth Phase, made from 1870 through the early 1900s, diamond motifs became larger and more elaborate, often overtaking the stripes as primary design elements. Revivals of chief’s blankets-usually made as rugs-have been popular since the 1950s.

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The Pueblo tribe is believed to have introduced weaving to Navajo or at the very least, a new way to weave with a vertical loom. The new loom was also used to raise their own sheep called the Navajo Churro. They were able then to weave long, smooth and durable fibers for making rugs. Pendleton Blankets can be referred to as Native Americans. It is undoubtedly the most popular name in American Indian Trade Blankets. These gorgeous wool blankets in multiple colors and different patterns were made for tribes from the West and Midwest. Make the Navajo Rug Quilted Wall hanging Pattern by cutting six 4 X 20 inch strips from dark brown. Also cut four 4 x 4 inch squares using straight grain fabric. Print and cut all pieces of the pattern. One aspect to appreciate the extraordinary Navajo weaving is not just its value. These blankets can fetch up to a half-million dollars in certain circles, which is quite amazing.

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Here’s a brief history of Navajo weaving that will help you sort out the most common terms, and give you a head start when you venture out to shop for these fascinating examples of Native American art. The Navajo (Dine [dih-NEH] in their own language) are Athabascan-speaking people who migrated to the Southwest from Canada in about the 15th century. Navajo women learned weaving in the mid-1600s from their Pueblo Indian neighbors who had been growing and weaving cotton since about 800 AD. Spanish settlers had brought their Churro sheep to the region in the early 1600s and introduced the Navajo to wool.

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